est. 2022
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VICKI LIN
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the aftermath of us
Vicki Lin
in the shadow of the sharp-toothed moon,
i dip my fingers into the hollow of your collarbone.
restless, we breathe ourselves into the dust
gliding in the sunlight. how beautiful are the
dancers with their tendons cut, muscle melting into bone.
you ask me for a prayer and i give you
the dark brown of your eyes. in another dream
we walk side by side, eyes glistening like suns,
but in this one, my skin only knows how to hide blossoms
beneath the surface, lilacs trapped under a shield of ice.
there are only two tragedies in this world
& we know them both all too well.
but here your dark eyes are turning golden,
amber like a hawk’s. i sweep the sky and lay the fragments
at your feet: a glistening shard of star, a meteor dusted
into shimmer. i ask for an answer and all i get
is your bruised skin hurting against my teeth.
this is what you wanted, right? the ink
from my hair already swirling down the kitchen sink.
previously published in Eunoia Review
bird-boned creature
Vicki Lin
on the way home from the funeral, i
fist cherry gum wrappers into my pocket and pray for origami cranes
that wouldn’t startle at the first gasp of violence.
last time i painted with a brush i told you i’m too heavy-handed
to wield an instrument of such delicacy; my instruments are my hands,
i say. but what i meant was scarred knuckles fistfighter paper tiger
that won’t buckle to anything but the
weight
of this
silence.
I couldn’t breathe out for the longest time without blue-frosted
sirens ringing in my ear, tribute to this
grief collapsing in my lungs. the radio learns to speak static and
i still can’t count pennies on my own
without the numbers tripping in their almost
relentless march over my tongue, waxing something foreign
out of that derelict mass of muscle.
see, i’m no fingerpainter either. i can’t touch paint without parts of me seeping out
like a daydream a wish a plea—
my fingertips a mess of a crime scene.
you look at this tainted blue and called it purple
when really, it’s another casualty,
another gordian’s knot of heritage and birthright.
i couldn’t speak things into existence any more than i can
make birds out of my hands. yet
i have become avian somehow, the thrash of my pulse quill-like,
which means everything snaps too easily. the truth is,
i am the escape beat with no place to go. no one
to keep alive in this barren country. homeland, a used roll of film.
all i do is mourn a past that does not belong to me.
is this what growing up is?
distance as a spectrum
Vicki Lin
down the gravel road a mother is fighting with her daughter
and i’m wondering if i could make it back
in time for the holidays. home is a dream so distant
that the edges soften and fade; somedays i cannot recall the slope
of the land i grew up in, the depth and clarity of the rivers.
time has a way of bending around things like
flights and memories and how long it takes for pennies
to sink to the bottom of a wishing fountain.
the telephone in the room next door rings and keeps ringing.
all the old photographs care more for being a witness
than remembrance. in this version of reality all i ever get
is a goodbye kiss on the forehead, and i don’t find a way back home–
at least, not in the way that truly matters. in this version of reality you ask
why did you remember me and i answer because you wanted me to.
because remembering is an act of violence as much it is of love.
i bet you wish i had taught you how to eat
out of your hands before i left, but we are lost on time now.
we are the only ones who linger, ghosts in a living world,
and home is still a thousand miles away.
the telephone in the room next door rings and rings
and no one picks up.