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VICKI LIN

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the aftermath of us

Vicki Lin

in the shadow of the sharp-toothed moon,

i dip my fingers into the hollow of your collarbone.

restless, we breathe ourselves into the dust

gliding in the sunlight. how beautiful are the

dancers with their tendons cut, muscle melting into bone.

 

you ask me for a prayer and i give you

the dark brown of your eyes. in another dream

we walk side by side, eyes glistening like suns,

but in this one, my skin only knows how to hide blossoms

beneath the surface, lilacs trapped under a shield of ice.

there are only two tragedies in this world

& we know them both all too well.

 

but here your dark eyes are turning golden,

amber like a hawk’s. i sweep the sky and lay the fragments

at your feet: a glistening shard of star, a meteor dusted

into shimmer. i ask for an answer and all i get

is your bruised skin hurting against my teeth.

this is what you wanted, right? the ink

from my hair already swirling down the kitchen sink.

previously published in Eunoia Review

bird-boned creature

Vicki Lin

on the way home from the funeral, i

fist cherry gum wrappers into my pocket and pray for origami cranes

that wouldn’t startle at the first gasp of violence.

last time i painted with a brush i told you i’m too heavy-handed

to wield an instrument of such delicacy; my instruments are my hands,

i say. but what i meant was scarred knuckles fistfighter paper tiger

that won’t buckle to anything but the

                                 weight 

 

                                                  of this

 

                                  silence.

I couldn’t breathe out for the longest time without blue-frosted

sirens ringing in my ear, tribute to this

grief collapsing in my lungs. the radio learns to speak static and

i still can’t count pennies on my own

without the numbers tripping in their almost

relentless march over my tongue, waxing something foreign

out of that derelict mass of muscle.

see, i’m no fingerpainter either. i can’t touch paint without parts of me seeping out

like a daydream a wish a plea—

my fingertips a mess of a crime scene.

you look at this tainted blue and called it purple

when really, it’s another casualty,

another gordian’s knot of heritage and birthright.

i couldn’t speak things into existence any more than i can

make birds out of my hands. yet

i have become avian somehow, the thrash of my pulse quill-like,

which means everything snaps too easily. the truth is,

i am the escape beat with no place to go. no one

to keep alive in this barren country. homeland, a used roll of film.

all i do is mourn a past that does not belong to me.

is this what growing up is?

distance as a spectrum

Vicki Lin

down the gravel road a mother is fighting with her daughter

and i’m wondering if i could make it back

in time for the holidays. home is a dream so distant

that the edges soften and fade; somedays i cannot recall the slope

of the land i grew up in, the depth and clarity of the rivers.

time has a way of bending around things like

flights and memories and how long it takes for pennies

to sink to the bottom of a wishing fountain.

the telephone in the room next door rings and keeps ringing.

all the old photographs care more for being a witness

than remembrance. in this version of reality all i ever get

is a goodbye kiss on the forehead, and i don’t find a way back home–

at least, not in the way that truly matters. in this version of reality you ask

why did you remember me and i answer because you wanted me to.

because remembering is an act of violence as much it is of love.

i bet you wish i had taught you how to eat

out of your hands before i left, but we are lost on time now.

we are the only ones who linger, ghosts in a living world,

and home is still a thousand miles away.

the telephone in the room next door rings and rings

and no one picks up.

previously published in The Reynolds Young Writer's Anthology of 2022

Vicki Lin (林诺曦) is a young Chinese American poet and writer from Florida. She has been recognized by the Scholastic Art and Writing Awards and the Live Poets Society of NJ. Her works are published in or are forthcoming in Kissing Dynamite, Eunoia Review, The Cloudscent Journal, and elsewhere.

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